Friday, 11 July 2014

The Tainted Crown - Kobo Preorder Now Open

store.kobobooks.com/en-US/ebook/the-tainted-crown


You can now preorder your ebook copy of The Tainted Crown on Kobo! Click here, or the image above, to be taken to the book's page. You can take advantage of not only Kobo's preorder feature, but also the promotional launch pricing!

Don't worry if you don't have a Kobo ereader - the book will also be released on 31 July 2014 on Kindle and Nook (preorders unavailable on these devices).

If you'd like to get your hands on a paper copy, the book will also be released in print on 31 July 2014. Lots of choices!


~Meg

Thursday, 3 July 2014

How to publish on Createspace - the process explained, with screenshots

Hi all!

Hope you're well. Big moment today for The Tainted Crown - I just ordered the paperback proof copy. Exciting times! I should have it in the next week. I thought anyway that I would post about using Amazon Createspace, the print on demand service I chose to publish my paperback with.

I won't go into the pros and cons of all print on demand services - I compared several, and for my needs, Createspace just edged out in front of the others. Instead, I want to share the process with you from an inside view - I had no idea what it looked like before I tried it and I really would have liked to, so I do hope this is useful. :-)

(n.b. these snapshots have just been taken - after the process - but the interface is much the same as before, only it tells me if I need to make changes I'll have to reproof everything. Click any image for the large version).

So first of all after signing up for Createspace and creating a new title, you start off with this entire checklist of various things needing attention (below). You can see that now most of the options are nice green ticks, which means I've addressed them. :-)

When you start the process, it just takes you through these in order, so it's very easy to follow. You can save and leave at any point (which I did) to come back and find all your information saved.



 First, you input the basic information about the book (below). After this point you can input/be assigned your ISBN number, which I'm keeping under wraps for now ;-)



After this, you choose what size your book will be, what paper type (white/cream - cream is better for fiction, white for nonfiction), and input your text file (below). Createspace has an amazing interior reviewer that also highlights errors - for example I received "You have 2 errors in this file". It tells you what the error is and where in the book it is.

So for example the two I received were in relation to non-embedded fonts (that I'd used for my chapter headers) not being used properly (I had to embed them in word and reupload the file - easy fix), and then the map of Caledan I'd placed was outside the idea area of the book (which was intentional, so again, easy fix, but if not, I could have easily resized the image and reuploaded the text file).

Really really easy to use fantastic tool - you can see some snapshots below in the proof reviewer which is almost identical, just without the error warnings and with the cover image. I ended up uploading about 5 versions in the end, having to make a couple of tweaks and just seeing what worked best.


After the text file has been uploaded and reviewed it's time for the cover - which can be matte or laminate in finish. Now they do have a cover creator, where you use their premade covers and edit them to your liking, but if I'm honest, they looked really shoddy in quality so I opted to keep my own. That meant I needed to create an exactly sized print ready PDF file.

My book was 8" tall x 5.25". My bookspine, at 460 cream pages, would be 1.15" wide (yes you have to work this out but it's not so bad once you get your head around what they're asking for!) Around each edge you need a bleed of 0.125". So total file height needs to be:


0.125" + 8" + 0.125" = 8.25"

Total file width is the bleed on either edge, plus the width of the back cover, spine and front cover, so:


0.125" + 5.25" + 1.15" + 5.25" + 0.125" = 11.9"

Createspace create a really handy template that I was able to use to double check my file as I was preparing it (below). You do have to uncheck/delete/hide the template once you save your file for upload... otherwise your book cover will be printed out with the template guidelines too! What you upload is exactly what's printed on your book.

The template (which you custom generate based on your book specs)
 
My book cover - with template superimposed.

My book cover - without the template superimposed.
After uploading all this, it's time for a file review! Createspace take up to 24 hours to review your file to check it's ok for printing (though I have no idea whether this is checked by humans, robots, monkeys or unicorns) and after this you can proof via the interior reviewer again, or by ordering a proof copy - I've done both.

The proof copy by the fastest shipping method will take about a week (2 days shipping + 5 days estimated printing time.... this is really important to remember with createspace... whatever shipping option you pick doesn't include printing time.... even the 31 day option! That proof would have reached me in mid August... a bit late!)

Here's some photos of the virtual proofing tool Createspace offer - again, almost identical to the earlier file reviewer.



Just like reading a real book! ... Only not haha. It looks good, anyway. You can check absolutely every detail of every page which is fantastic. I've ordered a proof to be safe rather than sorry - everything looks fine on the screen, but you never know.

Whilst you're waiting for the proof to be approved, you can set up your distribution channels and pricing (below). Expanded distribution used to cost, but as it's now free, you might as well tick those options too. This has no impact on the minimum price/cost price of the book in GBP and Euro. If you remove the expanded distribution option, the minimum USD list price reduces to $10.32, that's all. So really, as there's no way to reduce costs in the GBP and Euro markets, you might as well use expanded distribution.


For pricing, Createspace helpfully list the cost price of each book (below). This is the price it costs to make and distribute your book and you can't set the list price below that amount (as, if you did, you'd be paying Amazon instead of them paying you for every sale!). As you can see, because of the size of the book, my list prices are very high.

It's cheaper for me to buy my own copies and sell them ($6.39/copy /or roughly £3.87 + shipping which makes the cost price to me between £5-7), however the number 1 golden rule of self publishing is DON'T sink money into buying hundreds/thousands/*insert ridiculous number of copies here* of your book. They simply won't shift (unless you can procure a miracle).

That's the beauty of print on demand services - someone wants, they receive, you get paid - you have no hassle. No stress tying to sell all your books to make sure you can pay the bills or whatever. The downside is that... well.. you can see the difference in prices.


You can see, if I set those list prices (which are based on a UK list price of £9.99 to cover costs, multiplied up at the current USD and EU Euro exchange rates) just how little actually comes back to me. As a Createspace author, you get a % of whatever the list prices is AFTER deducting the production/distribution costs.
The market is heavily weighted towards US authors/readers as Createspace is a US business. So sell more in the US, make more, essentially. But it's not so favourable in the UK and Europe (yet). Hopefully that will change and I can lower my list prices.
 
Ultimately I don't expect many sales of the paperback. However, it looks good to have a paperback copy out - more professional, and it makes the ebooks more competitively priced when compared to the print book's list price. Also, for those who are hardcore paper fans, there's the option there - they're not forced to ebooks/forced not read the book.
Plus it means I can also have copies of my own book (ok, there's a little vanity involved!), and give these way to both family/friends and potential readers/reviewers/movers and shakers in the indie publishing world. It can open a world of possibilities.

That's really it, anyway! I hope you enjoyed this, I hope you found it informative, and I would love to hear your thoughts on anything about indie publishing, createspace, print on demand, and so on!

Ciao for now,

Meg

(12 July 2014) EDIT: WHY PROOFS ARE AWESOME! 

Just an update on this post. I ordered proof copy #1 on Thursday morning at 8am. By 2pm it had been printed and shipped. Very impressed! Unfortunately, their 2 day shipping is 2 business days, so it didn't arrive until Monday, but considering it was printed in the US and I'm in the UK, it's still a pretty fast turnaround as it was in my local depot by Saturday morning at 7am!

In any case, the proof was exceptionally helpful. The interior text needed a little fixing - the line spacing was just too big (which you can't tell - or I couldn't - by using the interior reviewers). The same was true for the back cover blurb - too big, too spaced out and too close to the margins/edge of the cover. I fixed those, resubmitted the files and reordered a proof.

Proof #2 was ordered the following Thursday morning after Proof #1 at 7am. By 9am (yes, seriously, how the heck do they manage this!?) it was printed and shipped. Fingers crossed it arrives Monday!

So yes. Definitely buy a physical proof copy! It's much better to see things in person than on the PC screen, despite the awesomeness of their interior reviewer! 


Tuesday, 1 July 2014

The Tainted Crown - 30 Days Until Release - Chapter 1 Preview!

It's now only 30 days until the release of The Tainted Crown: The First Book of Caledan!

To celebrate, I'm releasing chapters 1, 2 and 3 before the release. So, without further ado, here's chapter 1! I hope you enjoy.

Meg

_______

The Tainted Crown: The First Book of Caledan

Chapter 1

Zaki

Zaki struck Naisa from behind without mercy, flinching at the sickening crunch of metal upon bone. She dropped to the floor with an exclamation of surprise and pain cut short. Breathing heavily as he raised the candelabra for another blow, Zaki stood over her, but he stayed his hand. She lay stunned, her legs trapped and tangled in dress folds as bright blood oozed from her head.

“It’s true,” she tried to say, but her mouth would not obey her and he heard only a moan. Tears slid from the corners of her eyes, soaking into her hair and mingling with her blood.

Zaki lowered the candelabra and it fell from his hand with a dull thump onto the carpet as he watched her dispassionately.

“It had to be this way, sister.” This is your own fault Naisa. You rushed me to this. I would have paid for a clean death for you.

He couldn’t be sure whether he spoke to himself, to her, or to nobody. Naisa moaned again, but it was fainter this time. He only had to wait a few minutes before she stilled. He leaned closer. No breath. No pulse.

Zaki kicked the candelabra out of his path and strode from the room, pausing to close the door on his way out. He need not have bothered. Naisa’s rooms were devoid of servants and guards, as he had arranged. Whilst Pandora city bustled outside, his men were silencing the rest of the castle with every pace he took.

“Long live King Zaki,” he murmured to himself, savouring the sound of it.



Standing upon the dais that evening, Zaki surveyed the crowd of battle-stained men before him.

“You may report,” Zaki commanded, trying not to gag at the stench of sweat and worse things. “Sir Loren, begin.” Zaki drummed his fingers on his folded arms with impatience and nerves, hoping for good news.

“The west guard folded, Your Royal Highness. The south guard are ours and the east guard caused us great losses but we subdued them,” Sir Loren recited.

“Their losses?”

“Heavy. At least half. A quarter more captured. The rest surrendered.”

“Good. Imprison them all. Those who prove loyal may return to service. Our losses?”

“Not so heavy as theirs, as we had the element of surprise and more men than they.”

“Good. Next?” He spoke to each general in turn, his smile growing. Pandora was his already; his main enemies were mostly dead and only pockets of resistance remained within the castle. For the most part it seemed, the civilians remained oblivious to the chaos there.

“What of the traitor? Where is Soren?” Zaki asked last of all. The hall fell silent. “Where is he? One of you must have found him by now,” he insisted. No answer came. “Damn it! The boy has killed our queen and you have not yet found him?” he shouted. Few looked back with knowing faces; but then few were trusted with the truth.

Lord Argyle spoke. “My son informs me that His Roya- the traitor may be in the royal wood.”

“Then, Lord Argyle, I suggest you and your son gather some men and go and search there for him,” Zaki said through gritted teeth. Do these dolts have no ingenuity? “Reynard, join them.” Zaki named a man he knew he could trust to accompany them. “As for the rest of you, search harder! Hunt him down! I care not if he lives or dies; find him!”

The hall teemed with bodies scattering at his command as his retinue fell into place behind him with a snap of his fingers. “Again; we’ll search the castle again. I’m not about to pin everything on Argyle’s word. Do we have the girl?”

“Aye, sir,” a man replied.

“Keep her out of the way.”

Friday, 20 June 2014

Map of Caledan Revealed!



Hi all,

Hope you're well! Here's a pre-release goodie for you to feast your eyes upon - the map of Caledan that will be going in the kindle/ebook version of the book. It's a slightly different size than the one that will be going in the print book, but much the same! I hope you like. Click for the larger version. :-)

Ciao for now,

Meg

Wednesday, 11 June 2014

The Tainted Crown: 50 Days Until Release!


Yes, that's right! The book release is now only 50 days away!
 
The Tainted Crown: The First Book of Caledan will be releasing on 31 July 2014!

I'm hoping to run some kind of launch event, either on Facebook, Twitter or Google Hangouts, technology permitting - we shall see how that pans out!

Either way, this means I have 50 days to get my behind in gear to make sure this all runs smoothly. It will of course, all.. run... smoothly... (famous last words!? Hopefully not. ;-) )

By the way, if you're a reviewer and would like to review TTC pre-release, please drop me a comment below, a line on Twitter, or a nod on Facebook! I'll be releasing ARC's in July. :-)


Ciao for now!


Meg

Thursday, 5 June 2014

COVER RELEASE - The Tainted Crown: The First Book of Caledan


Behold! The new cover for The Tainted Crown :D


and... here's how I created it!

It took me 10 hours of illustration work on the crown alone (in Photoshop using my trusty Wacom Intuos 4) and about an hour of playing about to format and arrange the elements to create the cover image. This will be the kindle format image - I'll have to create another format/arrangement for the paperback version and other ebook formats. :-)

The crown itself was super fun (though time-consuming...!) to create. Although my initial visions of the crown were almost identical to the Palatine Crown of Queen Anne, wife of Richard II, the final image was much more inspired by the crown of Queen Maria of Romania, which has a beautiful, flowing design.

During the process I honed my metal painting skills and I also learnt how to create faceted jewels with this epic tutorial! The blood was really fun to do also. I had to hand paint the crown's reflection onto it, but it was worth doing to make the image feel more believable (liquids reflect, after all).

The backlighting/glow behind the crown helps it to pop away from the blue cover background - and the contrast between the blue background and yellow crown again helps that stand out as the focal point for the cover. I kept in mind Joel Friedlander's advice on good cover design for ebooks as I was creating this, trying to keep it simple and eye-catching, so that it will also be effective on a small scale.




I textured the background to make it more interesting (aiming for not too much blank space, but not too much detail, as either would be distracting). For the texture, I used a photo of a weathered iron grate I took at Upper Barden Reservoir - so there's a little bit of Yorkshire in my book cover!

I also used Joel's advice to improve my typography (the font, words and placement of text), which was, let's face it... pretty bad in my very first cover design! This can really make or break a cover.

Overall, I think it comes together as a much more effective cover than the previous version - I still really love the illustration on the previous cover, just as a standalone image. I'll probably offer both images as signed prints when the book is released. :-)

Hope you like!

If you're interested in cover design, here's a list of really useful resources to check out: 
Self Publishing: Cover Design, by CompletelyNovel 

Ciao for now!

Meg

Tuesday, 27 May 2014

Is "New Adult" the new "Young Adult" reader age category?

I came across the term "New Adult" recently as an emerging reader age range (not "genre" as it is often mislabelled) and wondered what it was. After all, we already have Young Adult and Adult fiction...

What's the gap in the market that New Adult claims to fill?
What is New Adult anyway?

As with "Young Adult" - its well established predecessor - the definitions can vary widely enough to confuse.


What's "Young Adult"?

Young Adult can also be described as "young adult literature" or "juvenile fiction" - and is often given the acronym "YA". It's generally aimed at adolescents/teenagers and young adults, although many adults read YA work.You could characterize a YA novel by use of a teen protagonist, key issues relating to that age range as a focus for the storyline, or a "coming of age" theme.

YA work can span across all genres - as YA is an age range, not a genre in it's own right - and work tends to be characterized by work appealing to the generally assumed teen audience.

The age range varies, however. Some argue that YA is 13-25, some 16-25 (preceded by a "Teen" age range of 10-15), some 13-19... You see the problem! We get the general idea that it's aimed at teenagers generally - but crudely speaking, what age is "too young" for YA? What's "too old"?

Here's where New Adult appeared to help out a little - but as with everything, each silver lining has a hidden rain cloud.


What's New Adult?

New Adult (or "New adult literature", or "NA") was first marketed by Martin Press in 2009, who decided there was a gap in the market for "fiction similar to YA that can be published and marketed as adult—a sort of an 'older YA' or 'new adult", although that's been translated as "basically a Young Adult book with sex and cursing thrown in."
.
This suggests that NA could encompass all genres, yet Angela James, the editorial director of Carina Press, describes NA as "a genre that fills the gap between YA and contemporary romance." That seems far more limiting and perhaps gives an impression of NA as a shady romance genre too mature for teens/minors, but not mature enough for an adult romance audience. Is that a correct perception? It's hard to say.

Again, the age range of "ideal" readers varies, although it seems to be consistently described as around 18-25/30 years old. It still raises the same questions, however; what age is "too young" for NA? What's "too old"?


Why is NA different to YA?

An NA novel could be defined by a protagonist/characters older than those in YA - of a similar age to the intended audience - but one key difference seems to be the inclusion of more mature themes. The NA fiction range appears heavily focused in the romance genre - whether it's strengthening in other genres such as SF&F (Science Fiction and Fantasy) remains to be seen. 

I recognise that NA aims to further focus marketing by the publishing industry, but on the other hand, it could be quite a constricting measure that disengages readers. Rudimentary age ranges are used in both YA and NA fiction marketing - however, in reality, reading transcends age, so should readers be put into such boxes, labelled and classified by age? Who's to say that an adult couldn't still enjoy the works of Enid Blyton, or a child the works of Tolkien?

This was a particularly heated extract I found. It raises a really valid point about the perceived quality of classifying writing into age groupings;
New Adult is a label that is condescending to readers and authors alike. It implies that the books act as training wheels between Young Adult and Adult. For the New Adult books that are particularly childish, the label implies that they are a step above Young Adult--which is insulting to the Young Adult books that are far superior. For the New Adult books that are particularly sophisticated, the label implies that they are not worthy of being considered "adult." It's a lose-lose situation for everyone.
"The problem with new adult books" by Lauren Sarner, Huffington Post.


So, is NA the new YA?

Ultimately, we have a proposed new reader age range on our hands here, which requires us, as independent authors, to make a conscious choice on how we define our work when it's on the adult side of YA.

Should we market our books as YA, or NA?

I find this especially difficult to decide given the potential grey area on mature content which may crop up in the second Book of Caledan. I personally don't think I could market book 1 as YA, but then book 2 as NA - I'm sure that would split, confuse and frustrate readers.

However, I wouldn't class the series itself as NA overall. Besides, in what appears to currently be a romance dominated category, I get the feeling I'd only be shooting myself in the foot if I marketed my current series as NA, despite the fact that yes, my protagonists are older teens/in their early twenties and yes, there may be more mature themes on the way in book 2.

Furthermore, NA has been around for 5 years so far, yet is not particularly well recognised. When did you last see "New Adult" pop up on the categories list at Amazon? Well, it doesn't. Similarly, few other publishers/retailers recognise it, despite growing interest and a growing number of particularly self published authors classifying their work as NA.

Should we jump on the NA bandwagon and help it diversify into genres other than romance? Or do we stick to good old familiar YA? Is there even a need for NA when we already have YA and Adult categories?

NA certainly doesn't seem to be a replacement of the YA category - and I don't think NA will ever replace YA - just a niche within/crossing into it. For now, I'll be sticking to YA, but I'm interested to see where NA is in a few years time - I think it has potential, but I don't feel it fulfils it yet.

I'd love to hear what you think! Please comment below, or catch up with me on facebook or twitter to have your say.

Ciao for now,

Meg


Sunday, 18 May 2014

The benefits and pitfalls of having an author mailing list


Subscribe to the Books of Caledan mailing list

* indicates required

A topic I've repeatedly come across in self-publishing is establishing a mailing list - a list of interested, consenting contact's emails so that you can send them important updates about your book/product/cat's eating habits/whatever they've signed up for. So, writers can contact readers about their books, and readers receive updates directly from the author.

Sounds great, doesn't it? 

Overwhelmingly the status quo seems to be that a mailing list is a necessary aspect to any success as a self/independently published author. 

But, I surprisingly found that there are some pitfalls to having a mailing list.

I thought it would be worth sharing some of the perhaps more obscure pros and cons with you as well as linking to some of the posts that helped inform me (at the bottom of the post)! You can also see my mailing list signup form above as an example too (hint hint! Sign up if you'd like to receive advance updates on Books of Caledan). :-)


Advantages of mailing lists:
  • You have your own reader base at your fingertips to share important updates with.
  • Mailing lists allow authors to be independent of rising (Google+) and falling (Facebook) social networks; your fans travel the internet with you.
  • Authors can send targeted promotions to parts/all of their list/s, which means authors can offer certain/all subscribers incentives - like I offer such as advance knowledge of release dates, special offers, exclusive content, and so on.
  • Authors can integrate signup forms on their platform. I've added a signup to the top right of my blog and at the top of this post just to highlight how easy it is: Mailchimp provided the form coding for me, so no coding knowledge needed. Very handy! You can integrate mailchimp with both facebook and twitter too.
  • Some mailing list services are free (up to a limit). I use MailChimp, which allows up to 2,000 subscribers for no fee. This means that there's no financial burden or obligation for new authors/businesses. Most authors I've encountered seem to use either MailChimp or Aweber above that threshold/for paid accounts.
  • Authors can import/export mailing lists across platforms/hosts, so you're not tied to one service if you find a better provider or change your mind.
  • Authors can schedule mails to be sent out at times to be most convenient to your readers wherever they are in the world! Plus this means you can schedule them in advance and then forget about them - the provider then sends them out as scheduled.
  • You can add incentives to encourage signups - upon signup, a response email automatically sends to each new subscriber linking to the amazing freebie giveaway you've offered. That way, the subscriber get's something (good) for free, you get their email address/permission to contact, and the list provider handles the distribution.


Blogs I'd seen about mailing lists tended to be very heavily weighted in favour of them. There are drawbacks though, which I didn't discover until testing out the idea for myself.

The disadvantages of mailing lists:

  • A paid account with Mailchimp is required to setup response emails to new signups (i.e. sign up and get a free reward emailed automatically i.e. ebook, download etc). I think Aweber is much the same. That's a great aspect of the incentive nature of mailing lists, though it could be overcome on a free account by manually emailing every single new subscriber. That's only effective therefore on smaller operations unless you pay for the feature.
  • Sending too many emails, spam emails, or if too many people don't open your emails/unsubscribe, then your account could be marked as a spammer and shut down. So email content needs to be a balance of quality, useful and relevent content that doesn't bombard people and is always interesting/valuable enough for subscribers to open and read.
  • You must put your business address on each and every email you send out to comply with international anti-spam laws. In order to eliminate this (because you can't use PO Box addresses either), you'd have to put a business address - for example an accountant or solicitors address there (or a publishers/agent)... but that involves having access to such a facility. Personally, it's an understandable but worrying breach of confidential information.
I hope that this has been a useful insight into some less obvious advantages/disadvantages of mailing lists. Some further useful reading on mailing lists can be found on these blogs, which include some "how to" information and are well worth a read:

Friday, 16 May 2014

Hi all - I return!

Just a quick blog to show that I am in fact still alive. I just finished my third and penultimate year of university (hurrah), which means I no longer have to spend my free time slaving over assignments/revision (double hurrah) and can instead get back what I truly enjoy doing; writing (triple hurrah!)!

In the next week I'll be blogging here about:
  •  The benefits and pitfalls of having an author mailing list.
  • The age-range debate: 'Young Adult' vs. 'New Adult' literature.
Plans for this summer include:
  • Finish editing and then publish The Tainted Crown: The First Book of Caledan (and all the things that entails) - sign up to my mailing list to receive advance notification of publication date today!
  • Finish planning and then write the second book of Caledan (title currently unknown). 
  • I'll be more active online too on my facebook account, on my twitter account and on here. I'll also be setting up an author page on Google+ and Goodreads.
  • (+ inevitable boring real life stuff: decorating, chores, bla bla bla.... invest a domestic goddess robot already, scientists!)


Wednesday, 9 April 2014

Why timelines are vital for writing stories


I've been busy plotting book two of the Books of Caledan series in my spare time this past few weeks. 

It was easy to begin with; I already had lots of ideas recorded in bullet point lists for each main thread of the plot, which I transferred onto Scrivener's corkboard feature (each thread being one corkboard).

I compiled the three main threads (each made of a group of closely linked character viewpoints) and then... promptly hit that brick wall we call writers' block.

I scratched my head whenever I returned to the project for a few days until it hit me. I'd been putting it off, but really it was time.

It was time for a timeline!

This is exactly the same process I went through with book one; with exactly the same results. The hardest thing was making the first pen stroke on the page. After that, it flowed beautifully! (Frankly, I should have started a timeline sooner... Oh, hindsight!)

First, I drafted it roughly on paper. I found that, over the ten viewpoints I listed, I could group a large bulk of the ideas together in time as characters met, separated, or as certain plot events had to meet at the same time.

That made things much easier. I now knew which characters were chronologically behind/in front at any given point. I could marry up those events that had to tie in together and work backwards to link up the beginning of book two's timeline with the end of The Tainted Crown (book one)'s timeline and forwards to meet book three.

Importantly, the timeline was pinned down on paper; it's much harder to visualise mentally!

Today I typed it up in Excel, which allowed me to play around with rearranging things as needed. There's no dragging or dropping on a piece of paper; alas! But that was, for me, a useful "first draft" if you like. Get anything down, and then it can be revised. (That reminds me of an Anne Lamott quote regarding crappy first drafts! It's the second one from the top.)

The main advantage of a timeline for is that it allows the threads of the story to be plaited together and connecting the ideas brings them to life. Suddenly, by looking at the bigger picture, the sequencing problems I'd been having vanished.

I can see the next steps. As it is, I just found the convenient point to stop book two and start book three that had totally escaped me 24 hours ago!

If I'd tried to carry on without a timeline, I would have failed. I genuinely don't know of any more valuable tool when it comes to sequencing and arranging your stories than a timeline.

I hope this pursuades you to try a timeline approach if you haven't before.

Ciao for now,

Meg